Gardar Eide Einarsson. Discussions of the aesthetics of institutional culture, and how its severity melds into modernist essentialism. He gathers shapes, designs, essential language from many sides of society that thrive on regulation, reactionism, defense and punishment, from the most mundane (but all-permeating and so controlling) to war. And seen on their own as independent images, made graphic and refined, they certainly have the impenetrable air of classical modernist art (sculpture, in this case).