Posts tagged Mural.

Murals and Public Art

A lovely mural from the school in Aasiaat.

‘Public paintings’ have, for a while but even more recently, been relatively common in Greenland. Against the repetitive prefab houses and stark landscape they tend to stand out far more than in Western urban spaces. They really give energy into the community. They even have unveiling parties. Most of the time the kommune or whoever is organizing it engages local and national artists, and so it is interesting to see, a company in Nunavut exploring this same model on a larger scale.

This is part of a mural in Kuujjuaq, in Nunavik, designed  and organized by Nuschool. While the mindset behind public art is often that it has to be fairly conservative and conformed to concrete ideas of what ‘art’ looks like, to if nothing else be accepted into the norm of urban space, Nuschool’s designs mix visual references of traditional images (as in Aasiaat) with street art, tattoos and trends in contemporary painting. So they do not only bring beauty and liveliness to urban spaces, but also a stronger creativity. And they give the people in these communities, especially the young, an added opportunity to see traditional forms and content reimagined, revitalized and as an active part of their lives. They likewise engage local artists, but on a much larger scale, and across Nunavut and Nunavik, wherever their commissions take them. They also produce advertising, web design, illustration and more. This type of dynamic creative company, that stays involved in its communities but is not stylistically isolated and conventional, is what’s needed more in the arctic.

In Nanortalik.

Paintings on Royal Arctic Line Containers, Mikisoq H. Lynge, Nuuk.

Nuuk graffiti.

SUPERDANISH.

Igloolik mural, by Nuschool.

Julie Edel Hardenberg

A review for you.  Kristin Nordhøy at Lautom Contemporary, Oslo.  Saw the show in December.

Painting, printmaking, wall drawing, sculpture, optics.  Nordhøy’s process begins by examining recurrent transparency in digital images, using a Photoshop grid tool to cut out space.  She then replicates the grid with masking tape and pale acrylic.  As Lautom describes it, a painting “of a clean slate.”  The distinction in shade is so faint they appear as monochromes at a distance, and when viewed up close, curve along the edge of vision.  In wall drawings, the tape is removed and only the edges left, effectively making the ‘painting’ ‘see-through,’ and complicating the notion of space and two-dimensionality in the wall.  The thin edges of tape give the rest of the wall a relief sculpture feeling, if only slightly, turning the optic movement inward - into the wall and undefined space - as opposed to the small, canvas pantings, which expand outward and consume the field of vision when approached.

Reminded me of seeing the Sol LeWitt wall drawings at Rhona Hoffman Gallery in Chicago over the summer.  But that’s a whole other story.